Λόγω του ηφαιστείου της Ισλανδίας και της σκόνης που έχει ακινητοποιήσει την Ευρώπη οι ομιλητές δεν θα μπορέσουν να έρθουν. Έτσι οι εκδηλώσεις του Public Works αναβάλλονται μέχρι τις 3 και 4 Ιουλίου 2010.
Ελπίζω ότι θα μπορείτε να παρευρεθείτε.
Θα αναρτηθούν περισσότερες πληροφορίες σύντομα.
Σας ευχαριστώ πολύ και συγνώμη
Due to the volcanic ash that has immobilised Europe, Public Works has had to be postponed to the 3/4 of July 2010, as the speakers are not able to get here from Northern Europe.
I hope that you will be able to attend the new dates
Thank you and apologies
Tuesday 20 April 2010
Thursday 15 April 2010
Public Works Πρόγραμμα- 23/24 Απριλίου 2010
Public Works στο Δημόσιο χώρο Λευκωσίας
http://publicworks2010.blogspot.com/
23-24 Απριλίου 2010
Apotheke: http://www.apothekecontemporaryarts.com/
Διεύθυνση: 23 Κλεάνθη Χριστοφίδη, Λευκωσία (αναφερθείτε στην ιστοσελίδα για την ακριβές τοποθεσία)
Για περισσότερες πληροφορίες- Εύη Τσέλικα:
e_tselika@hotmail.com +447973906568/ 0035797611269
Για περισσότερες πληροφορίες- Δημήτρης Ταλιώτης:
demetris_taliotis@yahoo.com +447788727571 / +35799764816
Παρουσιάσεις και συζητήσεις στις 23 Απριλίου @ Cafe Berlin No2
Τοποθεσία- Location 1
3:00/3:15 Έναρξη- Εύη Τσελίκα
3:30 Δρ Γαβριήλ Κουρέας- Λευκωσία: Μνήμη, χώρος, τραύμα
4:00 Δρ Άννα Γκρίχτινγκ- Πράσινη Γραμμή. Η νεκρή ζώνη της Λευκωσίας σαν
ποτάμι μνήμης
4:30 Δρ Κάμερον Καρτιέρ- Δημόσια και Κοινωνικά εφαρμοσμένη τέχνη στο
σύγχρονο εικαστικό χώρο
5:00 Παυσανίας Καραθανάσης- Οι γεωγραφίες του graffiti και της street art στη ‘παλιά πόλη’ της Λευκωσίας/ Lefkoşa
5:30 Δημήτρης Ταλιώτης- Παρουσίαση και ανάλυση της χρήσης του δημοσίου
χώρου από καλλιτέχνες
6:00 Σούμερ Έρεκ- Παρουσίαση μέσω διαδικτύου για την δουλειά του
καλλιτέχνη στο δημόσιο χώρο και πώς εμπλέκει το κοινό
6:30/7:30 Συζήτηση
Εργαστήρια και εκδηλώσεις στις 24 Απριλίου
24ωρος πειρατικός ραδιοσταθμός
Καθ’ όλη τη διάρκεια της μέρας- Παρουσίαση από την αναρχική ομάδα και την έντονη σχέση τους με την πόλη της Λευκωσίας, στο Χώρο τους- Αγράμματα. Τοποθεσία- Location 2
10:00- 12:00- Παράνομος χώρος στάθμευσης μεταλλάζεται σε παιδότοπο. Τοποθεσία- Location 3
* Εικόνες παιδιών και νέων, εμπνευσμένες από την παλιά πόλη της Λευκωσίας θα μετατραπούν σε μεγάλα αυτοκόλλητα και θα διαμορφώσουν το χώρο. Ο χώρος θα χρησιμοποιηθεί σαν δημόσιο εργαστήρι τέχνης και θα παραμείνει σαν 'παιδότοπος' καθ’ όλη τη διάρκεια της μέρας. Εύη Τσελίκα
12:00- 13:30- Ξενάγηση Graffiti και stencil
* Μια ξενάγηση των stencils και των graffiti και την σημασία τους σαν μια μορφής οπτικής επικοινωνίας στων εντός των τειχών πόλης. Παυσανίας Καραθανάσης. Τόπος συγκέντρωσης Τοποθεσία- Location 3
13:30- 14:00- Χοροθέατρο στην Δημόσια Αγορά- trading places
Η παράσταση οργανώνεται από την ομάδα Dance Theatre United (Natalie Heller). Τοποθεσία- Location 4
14:00- μέχρι αργά Έκθεση @ Apotheke.
* Μία έκθεση που εξερευνάει τις έννοιες μίας μοιρασμένης πόλης, της πράσινης γραμμής που την διαπερνάει, τη χρήση των δημοσίων χώρων της πόλης και πως καλλιτέχνες έχουν χρησιμοποιήσει αυτό το πεδίο και τις κοινότητες που το αντιπροσωπεύουν. Τοποθεσία- Location 5
15:00- 16:30- Συζητώντας για Δημόσια Τέχνη
Ένας διάλογος για την έννοια της δημόσιας τέχνης στο Κυπριακό περιβάλλον. Ομιλητής η Χριστίνα Λάμπρου. Τοποθεσία- Location 6, ακριβώς έξω από την Αρχιεπισκοπή
18:00- μέχρι αργά @ Apotheke. Street Party
* Μια ιστορική μέθοδος κοινωνικής επαφής με τον αστικό χώρο, που έχει προσελκύσει πολλαπλές αντιδράσεις και έχει αναζωπυρώσει εν μέρει το δημόσιο ενδιαφέρον για την παλιά πόλη της Λευκωσίας. Τοποθεσία- Location 5
Τοποθεσία- Location 1: Διάσκεψη @ Cafe Berlin No2- Οδός Λεύκωνος, απέναντι από το πλακόστρωτο μπροστά από την εκκλησία της Φανερωμένης
Τοποθεσία- Location 2: Αγράμματα- Περικλέους 82, πάροδος Ρηγαίνης
Τοποθεσία- Location 3: Παιδότοπος και έκθεση παιδιών @ στην αρχή της οδούς Τρικούπη κοντά στην Πράσινη γραμμή
Τοποθεσία- Location 4: Χοροθέατρο @ Δημοτική Αγορά Λευκωσίας, Πλατεία και οδός Διογένους
Τοποθεσία- Location 5: Apotheke @ 23 Κλεάνθη Χριστοφίδη
Τοποθεσία- Location 6: Διάλογος για τη Δημόσια Τέχνη στη Κύπρο @ ακριβώς έξω από την Αρχιεπισκοπή
Wednesday 14 April 2010
Abstracts and bios for the Roundtable, 23 of April speakers
Nicosia: Memory, Place, Trauma
Dr Gabriel Koureas
How can divided Nicosia, scarred by wars and ethnic conflicts that have left open wounds in the fabric of the city, try to heal itself and incorporate its traumatic memories within its spatial organization? Is such an incorporation possible? In order to investigate these questions, this paper is going to examine in more detail the visual and sensorial language of the city of Nicosia concentrating on issues of space, borders (both physical and psychic), memory and trauma. The paper interrogates artistic intersections in the spatial and psychic parameters of the city in order to argue that artistic production in the city of Nicosia is embedded in its spatiality. Like the space of the city these works demand our participation, our interaction through all our senses. In experiencing both these works and the city we are unable to rely solely on vision, as they call for our hearing, smell and tactility in comprehending spatially and artistically the impact of war and conflict. It is only by understanding the sensorial impact of trauma that we can begin to comprehend the political and social conditions in the city of Nicosia and its artistic production.
Public Art and Social Engangement in Contemporary Art
Dr Cameron Cartiere
Dr. Cartiere will present a number of public art projects from around the world that focus specifically on social engagement and border issues including works by Judy Baca, Lucy Orta and Alfredo Jaar.
Cameron Cartiere is co-director of the Centre for Media, Culture and Creative Practice at Birkbeck, University of London (www.bbk.ac.uk/creative). Dr. Cartiere is a senior lecturer for the Arts Policy and Management MA programme at Birkbeck and specialises in public art, urban renewal, sculpture parks, cultural heritage and curatorial practice. She is co-editor of The Practice of Public Art (Routledge, 2008), co-author of the Manifesto of Possibilities: Commissioning Public Art in the Urban Environment (www.manifestoofpossibilities.co.uk) and author of the online resource, The International Directory of Sculpture Parks & Gardens (www.bbk.ac.uk/sculptureparks).
Dr Gabriel Koureas
How can divided Nicosia, scarred by wars and ethnic conflicts that have left open wounds in the fabric of the city, try to heal itself and incorporate its traumatic memories within its spatial organization? Is such an incorporation possible? In order to investigate these questions, this paper is going to examine in more detail the visual and sensorial language of the city of Nicosia concentrating on issues of space, borders (both physical and psychic), memory and trauma. The paper interrogates artistic intersections in the spatial and psychic parameters of the city in order to argue that artistic production in the city of Nicosia is embedded in its spatiality. Like the space of the city these works demand our participation, our interaction through all our senses. In experiencing both these works and the city we are unable to rely solely on vision, as they call for our hearing, smell and tactility in comprehending spatially and artistically the impact of war and conflict. It is only by understanding the sensorial impact of trauma that we can begin to comprehend the political and social conditions in the city of Nicosia and its artistic production.
Green Line Scapes. Nicosia's Dead Zone as a River of Memory.
Dr. Anna Grichting
The interstitial spaces of conflict in urban zones - such as the Green Line in Nicosia and the Berlin Wall - offer opportunities to reweave coherent relationships between disrupted networks, fabrics, ecologies and societies and to intervene with imaginative and far-sighted projects that are compatible with what the architect Giancarlo De Carlo names the genus loci - the genetic code or spirit of the place. The reconstructions of Berlin after the fall of Wall sought, for the most part, to conceal the signs of its tragic history and to fill in the gaps created by the division, as the economic forces of real estate swept into the liberated No-Man's land. 20 years after the reunification of the city, some inhabitants feel that the Wall was dismantled too quickly and without vision, swallowing up a portion of the city's history. How can we learn from Berlin? Through a strategic exploration of the landscapes of the Green Line we can seek ways to reweave the distant and recent past into the future urban landscape and reveal the palimpsests of the Green Line rather than negate the recent past. This excavation produces an archeology of the conflict (Quim Rossell) that lays the foundations for a future Landscape of Memory through a collaborative research and design process which involves civil society on both sides and which participates in the reconciliation and healing of the territorial and social wounds. The GreenLineScapes Laboratory explores the ecological and cultural opportunities that can emerge in the liminal landscapes of the Green Line. We will investigate some of the possible urban, architectural and artistic uses of the Green Line of Nicosia, and examine how it could become a beautiful scar, as well as a space that provides a new reading of the walled city of Nicosia and its process of depolarization.
Dr. Anna Grichting
The interstitial spaces of conflict in urban zones - such as the Green Line in Nicosia and the Berlin Wall - offer opportunities to reweave coherent relationships between disrupted networks, fabrics, ecologies and societies and to intervene with imaginative and far-sighted projects that are compatible with what the architect Giancarlo De Carlo names the genus loci - the genetic code or spirit of the place. The reconstructions of Berlin after the fall of Wall sought, for the most part, to conceal the signs of its tragic history and to fill in the gaps created by the division, as the economic forces of real estate swept into the liberated No-Man's land. 20 years after the reunification of the city, some inhabitants feel that the Wall was dismantled too quickly and without vision, swallowing up a portion of the city's history. How can we learn from Berlin? Through a strategic exploration of the landscapes of the Green Line we can seek ways to reweave the distant and recent past into the future urban landscape and reveal the palimpsests of the Green Line rather than negate the recent past. This excavation produces an archeology of the conflict (Quim Rossell) that lays the foundations for a future Landscape of Memory through a collaborative research and design process which involves civil society on both sides and which participates in the reconciliation and healing of the territorial and social wounds. The GreenLineScapes Laboratory explores the ecological and cultural opportunities that can emerge in the liminal landscapes of the Green Line. We will investigate some of the possible urban, architectural and artistic uses of the Green Line of Nicosia, and examine how it could become a beautiful scar, as well as a space that provides a new reading of the walled city of Nicosia and its process of depolarization.
Public Art and Social Engangement in Contemporary Art
Dr Cameron Cartiere
Dr. Cartiere will present a number of public art projects from around the world that focus specifically on social engagement and border issues including works by Judy Baca, Lucy Orta and Alfredo Jaar.
Cameron Cartiere is co-director of the Centre for Media, Culture and Creative Practice at Birkbeck, University of London (www.bbk.ac.uk/creative). Dr. Cartiere is a senior lecturer for the Arts Policy and Management MA programme at Birkbeck and specialises in public art, urban renewal, sculpture parks, cultural heritage and curatorial practice. She is co-editor of The Practice of Public Art (Routledge, 2008), co-author of the Manifesto of Possibilities: Commissioning Public Art in the Urban Environment (www.manifestoofpossibilities.co.uk) and author of the online resource, The International Directory of Sculpture Parks & Gardens (www.bbk.ac.uk/sculptureparks).
Public Works Program- 23/24 April 2010
Public Works
@ The public space of Nicosia, Cyprus
23-24 April 2010
Apotheke: http://www.apothekecontemporaryarts.com/
Address: 23 Kleanthi Christofidi street, Nicosia (map can be seen on the website)
Contact information Evi Tselika:
e_tselika@hotmail.com
+447973906568/ 0035797611269
Contact information Demetris Taliotis:
demetris_taliotis@yahoo.com +447788727571 / +35799764816
Roundtable 23 April @ Cafe Berlin No 2(on border)
3:00/3:15- Introduction: Evi Tselika
3:30- Dr Gabriel Koureas- Nicosia: Memory, Place, Trauma
4:00- Dr Anna Grichting- Green Line Scapes. Nicosia's Dead Zone as a River of Memory.
4:30- Dr Cameron Cartiere- Public Art and Social Engagement in Contemporary Art
5:00- Pafsanias Karathanasis- Geographies of graffiti and street art in the old town of Lefkosia/ Lefkoşa
5:30- Dimitris Taliotis- Analysis and presentation of artistic collaborative work in the Public space of Nicosia.
6:00- Sumer Erek- Presentation of the artist’s work in the Public space and how he uses social engagement (via the internet)
6:30- 7:30- Roundtable Discussion
Location 1
Workshops and events on the 24th:
24 hour: Radio station experimentation by Antonis Antoniou
Throughout the day- *A presentation by the autonomous left group of the history of their rich relationship with the city of Nicosia. Agrammata. Location 2
10:00- 12:00- Illegal parking lot turned to ad hoc playground. Location 3
* Drawings of young people using the theme of the old city that will have been turned to large stickers. They will also be printed on other surfaces and used by participants to transform an empty parking lot space. This will act as an ad hoc playground and will remain as such for the rest of the day. Evi Tselika
12:00- 13:30- Graffiti and stencil tour
*A tour of stencils and graffiti and their importance as a form of visual communication and social engagement in the walled part of Nicosia by Pavsanias Karathanasis. Meeting point @ Location 3
13:30- 14:00- Physical Theatre Performance in the Municipal Market
Performance will take place by Dance Theatre United (Natalie Heller). Location 4
14:00- onwards- Exhibition @ Apotheke.
*An exhibition of exploring the notions of the divided city, the use of the highly charged public space both as political statements and artistic endeavours and how the element of social/ spatial engagement has been presented by creative practitioners. Location 5
15:00- 16:30- Talking of Public Art
Talk on Public Art in the context of Cyprus by Christina Lambrou @ Location 6, outside the Archbishopry where the Big Mac used to reside
18:00- Onwards- Street Party @ Apotheke
*A historically traceable mode of public engagement with the city that has attracted multiple reactions and has partly rekindled the public interest for the Old Town of Nicosia. Location 5
Location 1: Roundtable held @ Cafe Berlin No2- Lefkonos Street; opposite Phaneromeni church
Location 2: Agrammata Space- Perkleous 82, off Rigainis Street
Location 3: Ad-hoc Playground @ the beginning of Trikoupi Street (near the Green Line)
Location 4: Physical Theatre Performance @ the Municipal Market on the Square by Diogenous Street
Location 5: Apotheke @ 23 Kleanthi Christofidi Street
Location 6: Public Art Talk @ space outside Archbishopry
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